Handsome and talented actor Got Jirayu Tantakool opened up at the “HAPPYNAD - NADORA” event as NADORA’s first presenter. He updated on his life and self-care tips, revealing his dream now becoming reality: investing millions to convert his home into an art studio and push forward with his leather goods business. He also shared his perspective on behind-the-scenes work, which isn’t as glamorous as what’s seen upfront.
Have you lost your voice? Are you unwell lately?
Yes, I just recovered. I was sick for 3-4 days with a common cold. Usually, I rarely get sick—maybe two or three times a year. It might have been due to several consecutive nights of little sleep, which lowered my immunity. But my body is strong now.
How do you take care of yourself?
I exercise. I believe self-care is logical: if you take good care of yourself, good results follow. As we age, we have to be more selective. Actually, self-care shouldn’t wait until you’re older; it’s a current trend to look after yourself before everything falls apart. For my skincare, I focus on youthfulness, reducing wrinkles, and antioxidants. So I want something simple and uncomplicated.
What are you doing these days?
These days, I’m running an art studio focusing on art and leather goods only—making boxing gloves and leather punching bags for export. It’s a project I’ve wanted to do for 10 years, but being in entertainment left no time. Now that I’m taking a break from that, I want to devote myself to it. Actually, I started about two years ago, and now it’s launched.
Recently, you might have seen Tank holding a glove with Chris Hemsworth—that glove is made by me. We saw this as a great opportunity to gift a big fan who loves Tank. I was excited and agreed to make it. This project is a collaboration involving design and sewing with industrial machines at home. We set up a real studio called AscendStudio, focusing on overseas sales with distribution in Dubai and Japan. It’s not just gloves; gloves are just one part. We also craft sofas, bags, and many other items.
Have you invested a lot?
Yes, quite a lot—millions. But let’s skip the details. I’m a fighter; if I do something, I want it to be the best. We have six sewing machines at home, and we moved equipment from Charoen Rat into the house. We have all the materials at home. That’s why I say it’s a passion because I planned this since I was 23 but didn’t have the time. Now I’m really enjoying it because it’s work where I don’t have to ask producers. I feel fulfilled every morning and happy with the work. I wake up to work and often don’t even have time to sleep.
Are you currently taking a break from the entertainment industry?
No, I’m not taking a break. We’re just discussing because I haven’t found a role I really want to do yet. Next year, I have two or three offers, but I’m considering which ones to accept and which to pass on.
Recently, there was a controversy about CG techniques used without actors’ consent. What’s your opinion on this?
Sometimes communication isn’t complete. We don’t know when the production team had that idea. They might think it’s good, but the artist might not see the work until later. When they do, it requires discussion. There’s nothing we can fully control. Many things are beyond our control. We must protect ourselves and speak up if we’re being exploited. Ultimately, I understand the world moves this way. I can’t speak much because I haven’t personally experienced it, so I don’t want to jump to conclusions. From my perspective, if the intention is good, that’s fine. I believe everyone wants the work to come out well, but communication can fail. It’s something that can be fixed.
Have you ever had behind-the-scenes experiences that made you realize it’s not as you thought?
Many times. What we see upfront and what’s behind the scenes are different. Colleagues know that when we’re in front of the camera, we’re one person; behind the scenes, another. While we seem cheerful in front, behind the scenes (makes a zipped-mouth gesture), I’m straightforward. I ask about the purpose of what we’re doing and the expected results. If there’s a reason, I’m okay. But if there’s no reason and they give a flimsy excuse, I think that’s exploitation. Some people choose to let it go out of fear or politeness, but I choose to fight if I believe it’s right. I rarely overlook things. But if something is beyond my control, I have to let it go.
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